Thank you for every answer and your help!
I will try, thanks.
Saludos F!
De: "bigfish@pacbell.net [Avid-L2]" <Avid-L2@yahoogroups.com>
Para: Avid-L2@yahoogroups.com
Enviado: Viernes, 20 de mayo, 2016 12:51:06
Asunto: Re: [Avid-L2] 1080P 23.98 to 1080i 60
Mr. Greg,
I don't agree this is a basic part of Avid. The motion adapter yes but as I've been posting about my file deliveries of late with a 16 track XDCam50 .mov it's far from straight forward as there is no way to do it completely in Avid. The double mixdown doesn't always work when you have a lot of audio tracks. Anything over 8 and the XDCam50 .mxf won't work with it's 8 track audio limitation.
Then there is the gotcha of having AME add pulldown at 3:2 and only making NDF time code files from the 3.976 source. This aren't as straight forward as they seem.
I don't agree this is a basic part of Avid. The motion adapter yes but as I've been posting about my file deliveries of late with a 16 track XDCam50 .mov it's far from straight forward as there is no way to do it completely in Avid. The double mixdown doesn't always work when you have a lot of audio tracks. Anything over 8 and the XDCam50 .mxf won't work with it's 8 track audio limitation.
Then there is the gotcha of having AME add pulldown at 3:2 and only making NDF time code files from the 3.976 source. This aren't as straight forward as they seem.
---In Avid-L2@yahoogroups.com, <Greg@...> wrote :
There are 2 basic route in avid, then plenty of derivatives.
Best is to edit and finish entirely in 2398, video mix down, then open that in a 60i project. Media composer will add 3:2 pulls down, and you render that out to your deliverables.
The other 'common' way is to load your original material into a 2398 project, then open those source bins in a 60i (called 5994i in mc) project, and edit there. Again, mc will handle the conversion on the fly.
Even your buyer will prefer the first method, because the pull down cadence will be consistent, and your EDITOR'S definitely will, because progressive is easier for editing.
The original point of 2398 is that it emulated film workflow, and consequently the methods for conversion to other formats had already been developed and proven.
This is such a basic part of working in media composer, I'm concerned that you're either trolling us- or need to hire a qualified editor!
On May 20, 2016, at 07:19, Francisco piluso77@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
Hi everyone,We are shooting for a tv show in 1080p 23.98, and we need to make a file base delivery in 1080i 60 xdcam hd or quicktime.Any of you knows how to do it?best regards everyone!Saludos F!
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Posted by: Francisco <piluso77@yahoo.com.ar>
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