You're welcome.
I'm glad it worked.
On Sat, May 28, 2016, 09:17 Francisco <piluso77@yahoo.com.ar> wrote:
Hi Agustinthank you very much, I think its fine!I sent a file to QC so I ll see....thanks a lot!Saludos F!
De: "Agustin Goya agustingoya@gmail.com [Avid-L2]" <Avid-L2@yahoogroups.com>
Para: Francisco <piluso77@yahoo.com.ar>; "Avid-L2@yahoogroups.com" <Avid-L2@yahoogroups.com>
Enviado: Jueves, 26 de mayo, 2016 19:53:52
Asunto: Re: [Avid-L2] 1080P 23.98 to 1080i 60
Hi Francisco,
Here's my recommendation:
Once you have your 23.976P Master, do a Mixdown and replace the video tracks with it.
Open de 60i project and open the 23.976 sequence.
Media composer will add a motion adapter to compensate the difference of speed.
Promote the motion adapter and select: Source: Progressive Output: interlaced 3:2 Pulldown mode: interpolated.Render or do a new mixdown and you will end with a 60i compatible file (23.976 with 3:2 pulldown)
If you are worried about frames with mixed fields, what's perfectly fine in NTSC land as long as the cadence is consistent.Hope this help.
On Thu, May 26, 2016, 19:30 Francisco piluso77@yahoo.com.ar [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Hello hello guys,Well, I made some workflows that you told me and heres the thing...I edited in 2398, Then Created a delivery sequence, open in a 60i proyect.When you played you see a strange thing with the frame cadence... its like something strange with the fields... But when I export these Sequnce to a 60i file, its worstI tried everything, doing mixdown in 24p, then open in 60i, I made QT ref then exported it, open 24p in 60i then exported, all ones with same issue.Im thinking is I use some software like Episode or Carbon Coder to do the pulldown using a native 24p export in 24p proyect.best regards!F
De: Francisco <piluso77@yahoo.com.ar>
Para: "Avid-L2@yahoogroups.com" <Avid-L2@yahoogroups.com>
Enviado: Lunes, 23 de mayo, 2016 10:58:15
Asunto: Re: [Avid-L2] 1080P 23.98 to 1080i 60
Thank you for every answer and your help!I will try, thanks.Saludos F!
De: "bigfish@pacbell.net [Avid-L2]" <Avid-L2@yahoogroups.com>
Para: Avid-L2@yahoogroups.com
Enviado: Viernes, 20 de mayo, 2016 12:51:06
Asunto: Re: [Avid-L2] 1080P 23.98 to 1080i 60
Mr. Greg,
I don't agree this is a basic part of Avid. The motion adapter yes but as I've been posting about my file deliveries of late with a 16 track XDCam50 .mov it's far from straight forward as there is no way to do it completely in Avid. The double mixdown doesn't always work when you have a lot of audio tracks. Anything over 8 and the XDCam50 .mxf won't work with it's 8 track audio limitation.
Then there is the gotcha of having AME add pulldown at 3:2 and only making NDF time code files from the 3.976 source. This aren't as straight forward as they seem.
---In Avid-L2@yahoogroups.com, <Greg@...> wrote :There are 2 basic route in avid, then plenty of derivatives.Best is to edit and finish entirely in 2398, video mix down, then open that in a 60i project. Media composer will add 3:2 pulls down, and you render that out to your deliverables.The other 'common' way is to load your original material into a 2398 project, then open those source bins in a 60i (called 5994i in mc) project, and edit there. Again, mc will handle the conversion on the fly.Even your buyer will prefer the first method, because the pull down cadence will be consistent, and your EDITOR'S definitely will, because progressive is easier for editing.The original point of 2398 is that it emulated film workflow, and consequently the methods for conversion to other formats had already been developed and proven.This is such a basic part of working in media composer, I'm concerned that you're either trolling us- or need to hire a qualified editor!On May 20, 2016, at 07:19, Francisco piluso77@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Hi everyone,We are shooting for a tv show in 1080p 23.98, and we need to make a file base delivery in 1080i 60 xdcam hd or quicktime.Any of you knows how to do it?best regards everyone!Saludos F!--Agustín Goya(Sent from a mobile device, please excuse any typo)
--
Agustín Goya
(Sent from a mobile device, please excuse any typo)
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Posted by: Agustin Goya <agustingoya@gmail.com>
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