On my True 4K project I sent QC a DNxHRHQX QT .mov. They say they can't play it into their scope and want a ProRes. I told them that all they had to do was download the Avid LE codecs package like I did in an earlier thread this week. If they can play a prores QT True 4K to the scope then they should be able to play an DNxHRHQX .mov in QT to the scope after installing the LE Codecs. The whole process took me 5 minutes to do the other day but apparently asking this lazy ass Fing QC house to install Avid codecs is asking to much of this high volume QC facility. This is the same place that was using FCP 7 to QC HD shows we delivered and they couldn't read the audio correctly on those files specifically because they were using FCP7. Am I wrong to think this is complete BS? Ultimately we have to deliver a .dpx for IMF creation so why am I not sending them a .dpx? Oh wait .dpx doesn't really come out of Avid 8.5.2 or does it now? I know I can ama link to a .dpx file but could I even generate a .dpx out of Avid? At any rate I don't see why these A holes can't load the Avid codecs and QC the file. If you can scope a prores QT then you can scope an Avid codec QT. What am I missing but a compete lack of service being provided by this useless QC house? Not in a True 4K Joy mood today am I? ;-)
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net
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Posted by: John Moore <bigfish@pacbell.net>
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