Before we conform, the project is in MC 8.5. We happened to offline everything at DNxHD 175. Transcoded all footage. When we lock, we'll make a QT ref video, export an AAF, and then use Resolve (most likely) to bring everything in (including 4K scans of 16mm & 8mm, Epic 5K, stills, etc.), again, heading towards a 2K master, with other deliverable formats to follow after that.
On Apr 8, 2016, at 9:30 AM, Lou Wirth loutv@mindspring.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:What format is the original project before you do conform?
Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p
On Apr 8, 2016, at 9:14 AM, David Dodson davaldod@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:We just shot a doc in 5K with the Epic. For the offline we transcoded to HD, and used Resize to punch in for close-ups. Once we're locked, we're then going to do a full conform to create our 2K master, as this is a feature doc. It's during the conform that we'll use the original 5K footage when making the resizes for the close-ups, and we won't have lost a pixel. Beauty ensues.
David Dodson
davaldod@gmail.comOn Apr 8, 2016, at 9:11 AM, Lou Wirth loutv@mindspring.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
I have a client shooting dozens of interviews around the country. They are shooting 1080HD and using 2 cameras. Simple medium shot and close up. They want to consider cutting back to one camera and shooting 4 K allowing us to blow up the CU shot in post.
I'm just wondering what the workflow would be for this technique. Would I have AMA the interview wide shot and transcode, then AMA it again and use frame flex to zoom in and transcode again? Would I have to transcode the interview twice?
Have not received media to try this out yet but trying to get a jump on it.
thanks
Lou
Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p
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