How many tracks you get on a moviola or a KEM is a bad comparison. How many you get with a similarly priced modern NLE IS. Premiere and FCP7 and FCPX all win this battle. And you DO need this many tracks on a feature and in TV
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Sent from my iPhone
On Oct 17, 2015, at 4:09 AM, 'Mikeparsons.tv' mikeparsons.tv@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
How many tracks did he get on the moviolas and kems?
Seems to me pretty obvious that if you're that into track laying you should take it to protools. You really don't want to be dragging that many tracks of audio around while making content decisions editorially. I see it but it's as silly as grading shots while you cut - a lot of your work will be wasted.
Mike
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Posted by: Steve Hullfish <steve@veralith.com>
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this is the Avid-L2
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