Thanks, Job. This looks very promising. I'll pass it along to our
sound folks as a starting point.
Is it specific to BWAV format files, or likely to work with other audio
sources as well? Do you know what ProTools is doing under the hood --
is it matching filenames and timecodes, or how is it associating the files?
Is it necessary to use an AAF that is linked to the Avid media, or is
that just your preference?
Much appreciate the pointers...
Cheers,
--Michael
On 2015-10-21 1:20 AM, Job ter Burg (L2B) wrote:
> Michael,
>
> If you send all your non-consolidated audio media files and a non-embedded AAF of your sequence, the sound editors can access non-used tracks in Pro Tools. They need to right-click on your production sound tracks and mark them Field Recorder Guide Tracks. Then they can right-click on any (or multiple) clips in the timeline and find (and automatically expand) additional tracks.
>
> Even more so, if this is double system sound, and they add the original BWAV's to the session's Clip List, they can even "Find Field Recorder Originals".
>
> Here's an old doc I drew up about the process. A bug chunk of it is specifically about a trick used when receiving BWF-M files from Cantar, but the latter part applies to the scenario above.
>
> http://www.jobterburg.nl/Publications/Multitrack_Approach_110830.pdf
>
> J
>
>> On 21 okt. 2015, at 09:39, Michael Brockington mbrock321@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
>>
>>
>> I'm getting the impression there's no easy way for sound to get back to
>> multiple tracks unless I include them in my sequence.
Posted by: Michael Brockington <mbrock321@gmail.com>
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