Wow so a wave file can be no larger than 2GB. I'd always hated the 4GB omf export crap but that could be a pain for some really long project stems. Can't say I've hit that limit but most of my audio pass offs come from protools aafs these days for my in house work.
So when QT has a single track with 12 channels in it, which I'm calling interleaved, does that mean there is a Poly Wave file hiding under the hood somewhere? Or is the QT track and subchannels structure totally different than wave files mono or poly. When I do my QT ref export of the 12 channels from my timeline and then save as I get the 12 discrete Tracks that seem to be what the network wants. Now are those files after the save as in QT really mono wav files under the hood with a QT wrapper on top?
Even though big multitrack audio decks were maintenance intensive at least I could see where the audio really was. Now this darn digital voodoo makes things soooooo confusing. ;-(
---In avid-l2@yahoogroups.com, <bouke@...> wrote :
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----- Original Message -----From: bigfish@... [Avid-L2]Sent: Saturday, June 06, 2015 11:56 PMSubject: Re: [Avid-L2] Re: QC Issue with Interleave vs. discrete audio as I anticipated?I ended up going the QT Ref out and Save as. I know we went over the term interleave before. Is the Poly .wav different from interleaved?
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