Well, this is an Oscar-nominated DP, so he knows what's what. He's talking about flicker as it relates to on-set source lighting and HMI's being shot in Kyiv, Ukraine. The difference in power standards can be problematic sometimes.
On Jun 21, 2015, at 1:57 PM, oliverpeters@oliverpeters.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Why does the DP think he'll have flicker issues? Has he ever shot anything else at 23.98 or 24.0 digitally? If so, was there flicker?
I've never found this to be an issue with proper professional lighting; however, I have seen flicker when consumer lighting is in the shot - regardless of frame-rateI concur with the other comments - you are really throwing a monkey wrench into dailies delivery, sound post, color grading, screening of cuts on video, etc. But yes, it can be done. You also won't be able to easily integrate other cameras like DSLRs and GoPros where sync sound is involved and there's a mix of cameras. That's because these cameras generally do not have a 24.0 mode.- Oliver
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Posted by: David Dodson <davidadodson@sbcglobal.net>
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this is the Avid-L2
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