Right. I understand all this. The real question is more-or-less two-fold. 1) Does 4K mine out more detail from 16mm neg, and 2) what kind of hit does HD res material take when being upscaled to a 4K master?
Thanks!
DD
On May 8, 2015, at 9:43 AM, 'Dom Q. Silverio' domqsilverio@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:The slower the stock generally the finer the grain size. I agree that generally 2K/1080 is more than sufficient for 16mm.Even some modern 35mm films went through a 2K DI process.Dom Q. SilverioOn Fri, May 8, 2015 at 12:39 PM, 'Edit B' bouke@editb.nl [Avid-L2] <Avid-L2@yahoogroups.com> wrote:The 16 mm movies i've restored in the past showed huge amount of grain in the SD telecine.Granted, those were dated between 1911 and app. 1970, and mostly shot on cheap / available stock.Bouke----- Original Message -----Sent: Friday, May 08, 2015 5:17 PMSubject: [Avid-L2] Re: Up-Rez HD to 4KMost 16MM would be showing the grain even at 2K.
---In Avid-L2@yahoogroups.com, <pat@...> wrote :I'd agree. Generally 16mm is good to 2K and HD isn't much under that. But a good Telecine to 4K will eak out more for sure.
If you want to get the most then recan the 16mm direct to 4K
Pat Horridge
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