I could if they had Ver. 7 Avid. I realize I could do it in color correction but the LUT gets me closer to correct to start with. Whatever quality hit it takes is completely undetectable in the end. I'm talking HDCam to cable network. Not 4K UltraHD ;-) I'm cranking through and it may seem like a small thing but stretching things out from LogC takes more time that I don't have, but I do have a Resolve system cranking away in the machine room. I'm not saying this is the cleanest way but it's nothing anyone will see at home. I realize there are differing views on this. I am curious why the Camera Negative as they label it from the Arri Amira is ProResHQ 422 and not the typical Cam Raw I get from Alexa shoots. Perhaps it was a production choice to save disk space etc... In the past they have been shooting 4 and 5K which is overkill and rather taxing when it comes to hour long plus clips. I'm waiting to hear back from the DIT as to what was the reason behind this.
Posted by: bigfish@pacbell.net
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