The time code can match? But they are different cameras shooting at the same time, how could they all possibly have the same time code? What is this voodoo magic you speak of? ;-) Come to think of it that could be a time saver, Hmmmmm matching time code or color bars tough choice.
---In Avid-L2@yahoogroups.com, <mikeparsons.tv@...> wrote :
Next you'll want matching timecode.
On 19 Dec 2014, at 2:37 am, John Moore bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
Working on a network show with major talent. Line cut and iso's recorded to XDCam. Everything looks good albeit a tad hot for a stage show with a full production crew. My media was ama transcoded to Dnx 220 so just to be safe I ama link back to the XDCam material and sure enough it's hot from the source. Nothing I wouldn't expect from a typical field camera type shoot but this is a full production crew with line feed and isos. I go to the top of the clips and I can't find any bars and tone? Now I do realize that our digital world is more stable with levels but with all the transcoding etc... when did putting bars and tone at the head of program and iso feeds become an option that can be skipped with a full network production crew. I'm just a little saddened by a lack of technical discipline of the most basic nature. Am I just being cranky to think bars and tone are part of the price of admission with a full tilt production crew? I do realize quite often the tape ops etc... on production trucks will record router bars which may not be perfect but at least they make the effort to give the rest of the food chain a starting point. Oh well back to the waveform, or should I just through on the legalizer and call it a day? ;-(
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Posted by: bigfish@pacbell.net
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