Surely this is designed for offlining though. Not accessing full rez media over the web. It's designed to get you mobile. you'll still be doing all your finishing in a post house with a nice set of scopes and a reference monitor and top quality speakers etc. There's an interesting article in which someone has attempted to cost an adobe anywhere installation and they suggest that to get a seamless experience you'll need a connection around 25 - 40 Mbps. Avid is doing this with a minimum recommended speed of 3mbps. You're getting proxies but you don't need to get crazy fast internet to use it. I imagine in the future post houses will have no offline suites and only finishing suites. there's no money in offline anyway so why not free up the space and pack in more onlines? And I'm presuming that as you are cutting with proxies that the conform will be as simple as a dynamic relink to the online res media back at the post house? Interplay does this already and when it works it's seemless and immediate.
Andi
Andi
> To: Avid-L2@yahoogroups.com
> From: domqsilverio@gmail.com
> Date: Sun, 6 Apr 2014 16:49:08 -0400
> Subject: Re: [Avid-L2] [pt] Avid Announces Flexible Licensing and Deployment Options for Artist Suite Video Creative Solutions
>
> I agree. Cloud editing has some logistic problems considering 10 Mb/s
> UPLOAD is considered fast for consumer internet here in the US.
>
>
>
> On 4/6/2014 4:29 PM, Jeff Kreines wrote:
> > How exactly will the Cloud let me remotely work with large amounts of high-res, uncompressed footage?
> >
> > Is one only working with proxy files on the Cloud?
> >
> > What about uploading footage to the Cloud? Whenever I upload large files to Dropbox, it takes forever. I don't have the fastest connection, while I can get (at extra cost) downloads as fast as 60 megabits/second, upload tops out at 5 megabits per second.
> >
> > Right now, I just Fedex hard drives and copy them to my local RAID. Sometimes — and this is clunky — I do things via TeamViewer — I choose files, trim them, render them out — remotely — but if I need to do real work, I need the real files.
> >
> > If there were a way to access my big server in NYC remotely from Alabama at fast speeds (like 10 GigE speeds) sign me up!
> >
> >
> >
> >
> > Jeff Kreines
> > Kinetta
> > jeff@kinetta.com
> > kinetta.com
> > kinettaarchival.com
> >
> >
> >
> >
> > ------------------------------------
> >
> > Yahoo Groups Links
> >
> >
> >
> >
>
>
>
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> From: domqsilverio@gmail.com
> Date: Sun, 6 Apr 2014 16:49:08 -0400
> Subject: Re: [Avid-L2] [pt] Avid Announces Flexible Licensing and Deployment Options for Artist Suite Video Creative Solutions
>
> I agree. Cloud editing has some logistic problems considering 10 Mb/s
> UPLOAD is considered fast for consumer internet here in the US.
>
>
>
> On 4/6/2014 4:29 PM, Jeff Kreines wrote:
> > How exactly will the Cloud let me remotely work with large amounts of high-res, uncompressed footage?
> >
> > Is one only working with proxy files on the Cloud?
> >
> > What about uploading footage to the Cloud? Whenever I upload large files to Dropbox, it takes forever. I don't have the fastest connection, while I can get (at extra cost) downloads as fast as 60 megabits/second, upload tops out at 5 megabits per second.
> >
> > Right now, I just Fedex hard drives and copy them to my local RAID. Sometimes — and this is clunky — I do things via TeamViewer — I choose files, trim them, render them out — remotely — but if I need to do real work, I need the real files.
> >
> > If there were a way to access my big server in NYC remotely from Alabama at fast speeds (like 10 GigE speeds) sign me up!
> >
> >
> >
> >
> > Jeff Kreines
> > Kinetta
> > jeff@kinetta.com
> > kinetta.com
> > kinettaarchival.com
> >
> >
> >
> >
> > ------------------------------------
> >
> > Yahoo Groups Links
> >
> >
> >
> >
>
>
>
> ------------------------------------
>
> Yahoo Groups Links
>
> <*> To visit your group on the web, go to:
> http://groups.yahoo.com/group/Avid-L2/
>
> <*> Your email settings:
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>
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