"But, would all these high-end companies buy Avid storage and DAM solutions without the editing software to play nice with it? That's what makes me think we'll see improvements in MC as we move along. But what do I know?"
Roger asked the question I've most been pondering. With, I assume, code almost impossible to upgrade to 4K (without introducing years of bug fixing) and FX engine that, again I assume, will not be easy to upgrade to fully using dual GPUs, it seems an almost impossible task for Avid to do all it MUST do this by -- let's say IBC. Note that they do seem to be able to add components like AMA, but what needs to be done now is very different.
When I read Avid's announcements I thought it was an "Open Sony" redux when they gave-up on their own NLEs and said they would work with anyone to build what the customer wanted. I assumed Avid would leave MC as an SD/HD NLE and let Resolve, FCP X, and the entire Adobe suite carry the Avid corporate solution into 4K and 8K. This would be step 2 for, perhaps, IBC or the next NAB.
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