Thanks John. I'll pass this along to the editor who's in the middle of this. I found a note on the Boris site that said it needed to be ProRes but if that's no longer the case it will make life much easier. We really appreciate the help. --J.B.
---- John Pale <pale.edit@gmail.com> wrote:
> Not sure it needs to be ProRes as long as it's a codec AMA recognizes.
>
> On Thursday, March 13, 2014, John Beck <jb30343@windstream.net> wrote:
>
> > Forgive my Final Cut ignorance but wouldn't that mean transcoding shot
> > by shot in FCP to prores 422 to keep the original frame rates and keep
> > Boris happy using the AMA workflow? Thanks. --J.B.
> >
> > John Pale wrote:
> > >
> > >
> > > You'll need to do the AMA workflow to retain the original frame rate.
> > > If you use the workflow that creates Avid media, you will end up batch
> > > importing in Avid, which will convert the footage to the project frame
> > > rate. This may result in a less than desirable conversion. I believe
> > > Boris has some video tutorials on the workflow using AMA.
> > >
> > >
> > >
> > > On Thursday, March 13, 2014, John Beck <jb30343@windstream.net<javascript:;>
> > > <mailto:jb30343@windstream.net <javascript:;>>> wrote:
> > >
> > > One of our editors just received a FCP7 project which he needs to
> > > eventually convert to a Media Composer sequence. The FCP sequence
> > > contains clips with multiple frame rates (23.976p, 29.97p, 59.94i) as
> > > well as various raster sizes and codecs. AutoDuck does not seem to be
> > > able to deal with multiple frame rates. Boris Transfer seem to be OK
> > > with the multiple frame rates. Will Boris Transfer also create an
> > > AvidMedia files folder full of media at its original frame rate? Is
> > > there a better way to do this? Many Thanks. --J.B.
> > >
> > >
> > >
> > >
> >
> >
> > ------------------------------------
> >
> > Yahoo Groups Links
> >
> >
> >
> >
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