The C300/C500 can record XDCAM 422 50 Mbit/s .mxf files internally on the CF card and it is much easier to deal with them, picture quality is really nice without most of the problems of the DSLR H264 recordings, finishing and color correction works really well. The C500 can record up 4k@60p raw (theoretically up to 4k@120p) with the right external recorder, like Codex for example, can record 4k@30p with AJA Ki Pro Quad in different Pro-Res formats.
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From: johnrobmoore <bigfish@pacbell.net>
Reply-To: <Avid-L2@yahoogroups.com>
Date: 2014. február 1., szombat 1:05
To: <Avid-L2@yahoogroups.com>
Subject: [Avid-L2] Re: Decklink Extreme problem
Reply-To: <Avid-L2@yahoogroups.com>
Date: 2014. február 1., szombat 1:05
To: <Avid-L2@yahoogroups.com>
Subject: [Avid-L2] Re: Decklink Extreme problem
I haven't had much dealing with C300/500 material. Does the file format for these camera differ greatly from 5D/7D? 5Ds fall apart quickly when pushed in color correction. How do the C300s etc... improve this behavior. I'm thinking they record with less/better compression. I'll do some googling but any information points on this would be appreciated.
--- In Avid-L2@yahoogroups.com, <kenavid2@...> wrote:
>
> This series is C300 and C500 (not LOG). Yes, improved quality over Avid workflows.
>
> KEN
>
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