"We are shooting some tests next week with both XAVC 90 and XAVC SR 444. I've been told that the 90mbps codec has some chromatic aberation. I've only seen the 444 codec and it looked great."
I reviewed your post about XAVC material. Is this what your Resolve project was from? I'm curious what your source material is. I think I quite often don't know what I'm missing because my source material is primarily DVCProHD, or when I'm lucky XDCam with an occasional HDCam source. You clearly see improved image processing on your project relative to Avid work flows with color correction. Is your source material very high end to begin with?
--- In Avid-L2@yahoogroups.com, <kenavid2@...> wrote:
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> The round trip was 90% there. I exported an AAF from Resolve and imported that back into Symph. There were some problems with handles if there was a shot that ended but there was a dissolve to filler (nothing in timeline) as a fade to black. In that case, there wasn't enough media and I'd get playback errors. I just re-exported those problem shots individually and cut them back in. The offline had a lot of Sapphire FX and even though, Resolve just see's dissolves, everything was fine once I imported back to Symph, Resolve 10 and MC7/Symph. The look of Resolve is so good. Especially with things like police or ambulance lights at night and hot white areas, that would be very noisy in Symph CC or even DS look amazing coming from Resolve with 32bit processing. Just an overall better look.
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