I once took over a feature doc that they had started on FCP7.
It is NOT a friendly editor for anything longform / complex. Project got bloated, machine unusably slow. Not to mention the gamma shifts they had when bringing in the P2 into FCP.
I think FCP has been a bit more popular in the US than in Europe, still, I know many documentaries here are being cut on FCP.
I just fail to see the reason, to this day.
On 10 dec. 2013, at 18:00, TCurren@aol.com wrote:
Think about this, how many people usually edit on a documentary? Unlike a studio feature with at least 4 folks working on the sam project at the same time (Avid's strength).
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