Hi Listers, In a couple of weeks I'm starting a gig that is about to be shot on Alexa @ true 24fps - not 23.976. Sound guy is asking me what TC I want from him. I first thought 24fps ndf, but then I remembered that in the days of filming on 35mm and editing at 24fps here in Pal land, Protools wasn't a big fan of that TC so we were using 25fps TC. Ok it was different since offline editing was done in SD and video was fed in via tapes. But it triggered something in my mind that it might still be complicated. Sound device is an Aaton Cantar and files will be delivered in their AAD folder since Avid 7.x knows how to deal with them. All tracks will be imported but only the mixdown will be used for synching up. I forwarded the question to the sound studio doing the track laying and mixing since the TC issue will be passed onto them. After all I think MC 7 is happy with all flavours of TC, isn't it? But no reply yet. Anyone here has been through this process? Any feedback appreciated. Thanks, Pierre
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