We could double speed capture from The SR deck to FCP. DS also did it.
<<http://tinyurl.com/kr3l5wo>>
---In Avid-L2@yahoogroups.com, <avid-l2@yahoogroups.com> wrote:
I cannot count the number of times a producer asked me if ingesting or outputting from Media Composer was faster than real time. Followed quickly by a disappointed sigh when they heard my answer.
Rob Lawson
System Administrator
CBS News
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On Thu, Oct 17, 2013 at 9:27 AM, tcurren@... <tcurren@...> wrote:
Only LTO is sooooooo much slower. Video tape is the original Real Time.
---In Avid-L2@yahoogroups.com, <avid-l2@yahoogroups.com> wrote:Add the fact that LTO may soon be required delivery - your file based just became tape based again - linear tape.Dom Q. SilverioOn Wed, Oct 16, 2013 at 2:58 PM, Shane Ross <shanerosseditor@...> wrote:My biggest issue with tapeless delivery is you cannot "insert edit" fixes. Say you misspelled someone's lower third, or you spot a glitch. You can't simply insert a fix, cut to cut. You have to re-output the entire file again.
Barring that, I love it. Cheaper by far (no $300-$400 tapes and you needing to deliver 4-6 tapes...and then the deck ownership, or even rental)...simply deliver your files on a $100 USB drive.But also to people who've no clue on how to get a file to pass network QC. A broader market is possible, a stupider one however won't make the grade. You always get what you pay for.
---In avid-l2@yahoogroups.com, <wilsonchao@...> wrote:HD tape I/O required a $25,000 deck connected to a $5,000 Mac running a free/pirated application. By eliminating that expensive gear, the market for HD post was opened to a wider market.On Oct 16, 2013 9:06 AM, "Tony Quinsee-Jover" <tony@...> wrote:On 16/10/2013 05:57, tcurren@... wrote:
> And tape output is bad because....?
... because it was easy and reliable, silly.
Outputting now is so much more... adventuresome.
T.
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