If it's the "same limit you put over the whole show", then why do you need to double up on the titles? The overall limiter will have the same effect.
--- In Avid-L2@yahoogroups.com, <avid-l2@yahoogroups.com> wrote:
I see no reason to step inside as the limiter only hits the excursion above and below 15 and 235 and has no effect on the background material that I can detect. It's the same limit I put over the whole show. I can see where theoretically that may be better but at least in my simple white text case it doesn't make enough of a difference to warrant the step in. In hind sight I should have done a symphony color correction to adjust the levels properly for the fill. Once I figured out the setting I could then just apply that like any other color correction in symphony. As I mentioned in my previous post when I apply a symphony color correction to a title it only effects the fill track. If I step in after apply the symphony color correction the green line is only on the fill and stepping out of the effect I see the green line on the title like I would any other symphony color correction to regular video. That would not alter the background level and do exactly what you have suggested earlier in the thread. Still a PIA but next time I get royally screwed by this but at 3AM hopefully I will remember this approach.
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