That's exactly my thinking Dylan. I had a show a few weeks ago that
came to me with numerous P&Z's. I replaced most of them but let a few
stand because replacing them wouldn't make them better and I was under
time pressure. The show looked fine while I was outputting it to HDCam
tape for broadcast but sometime between then and when I exported a file
for the DVD's and BluRays I lost the link on one of the P&Z's. I've
never used the BCC version of P&Z in an actual show. I could learn to
like it but I'm nervous about what would happen with hundreds of them in
a show. Thanks. --J.B.
Dylan Reeve wrote:
> If you've got Symphony (and thus Boris Continuum Complete) then the BCC Pan
> and Zoom is a pretty good tool - it's been my preference for such things in
> Avid. Although with that many stills I think I still rather take it out
> into something else - if only so that I'm getting native video media to
> deal with in Avid, rather than quasi-linked still image files.
>
> Dylan Reeve
> http://dylanreeve.com/
>
>
> On Sat, Aug 24, 2013 at 3:33 AM, Alan Miller<ammfx@yahoo.com> wrote:
>
>
>> **
>>
>>
>> Avid FX
>>
>> Alan Miller
>> 48 Hours Mystery
>> CBS News
>>
>> ________________________________
>> From: John Beck<jb30343@windstream.net>
>> To: Avid-L2@yahoogroups.com
>> Sent: Friday, August 23, 2013 11:22 AM
>> Subject: [Avid-L2] Self Promotion and Yet Another Pitiful Plea to Avid
>>
>>
>>
>> First, the promotional part. "The Great Plains: America's Lingering
>> Wild" parts 1 and 2 will be airing on PBS in early September. In the
>> two, 1 hour shows, photographer Mike Forsberg visits about a dozen
>> locations in the great plains where he has made photographs during the
>> past decade. I developed a lot of respect for Forsberg during the post
>> production of the shows. He has an excellent perspective on the ecology
>> of our planet and expresses it beautifully in his images. I hope people
>> with access to PBS will watch. It's a worthwhile way to spend a few hours.
>>
>> Now, the pitiful plea to Avid. "Great Plains" contains over 700 still
>> photos. I took each one on a round trip through After Effects. A few
>> weeks ago, I finished another hour show that had about 100 still photos
>> in it. Next month I have a show coming in that has somewhere over 100.
>> I'm aware of other ways to animate these photos and I'm sure some are
>> faster than After Effects and equally usable. I use After Effects
>> because it's a well worn work flow for me and because I have it at my
>> fingertips. But, can't we please have a reasonable way to do this right
>> inside of Symphony, oops, I mean Media Composer. --J.B.
>>
>> ------------------------------------
>>
>>
>> Search the official Complete Avid-L archives at:
>> http://archives.bengrosser.com/avid/
>> Yahoo! Groups Links
>>
>> [Non-text portions of this message have been removed]
>>
>>
>>
>>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> Yahoo! Groups Links
>
>
>
>
>
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