Friday, August 30, 2013

Re: [Avid-L2] Re: A goodbye; Selling my copy of MC7 + Dongle

For some reason Filmlight appear to have had to reverse engineer the
Euphonix protocol. They peer directly with the panel rather than
interfacing with it though the Euphonix control software. In my case that
meant I had to disable the panel in Symphony, and then also shutdown the
Euphonix software on my system. It's possible some of that wasn't necessary
though, I'm not totally sure.

Seeing as I barely even bother with the Artist Color panel in Symphony and
don't often fire up Resolve it was no biggie for me. Might be annoying if I
were using the panel more frequently.

Dylan Reeve
http://dylanreeve.com/


On Fri, Aug 30, 2013 at 12:24 PM, johnrobmoore <bigfish@pacbell.net> wrote:

> **
>
>
> You mention something I hadn't considered. My artist color panel talks to
> both Avid and Resolve depending on which I'm running. With both apps
> running I haven't tried to see if panel control shifts based on the
> currently active program. What happens when launching into the baselight
> plug in UI? What typr of hoops let the two work in harmony. Given how
> useless the panel is in Avid it wouldn't be a great loss to have to
> dedicate the panel to baselight solely.
>
> --- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@...> wrote:
> >
> > Yes the Baselight plugin does interface with the Avid Artist panel well
> > (better than Symphony, not quite as well as Resolve IMHO) but there's
> some
> > hoops to jump through in terms of getting it to - it can't share the
> panel
> > with Avid.
> >
> > I had 25fps playback with simple grades using 2-3 layers via my Nitris
> DX.
> >
> > Dylan Reeve
> > http://dylanreeve.com/
> >
> >
> > On Thu, Aug 29, 2013 at 8:07 PM, johnrobmoore <bigfish@...> wrote:
> >
> > > **
>
> > >
> > >
> > > According to this thread a while back"
> > >
> > > http://community.avid.com/forums/t/112172.aspx?PageIndex=1
> > >
> > > I was under the impression that the baselight not only interfaced with
> the
> > > Avid Color Panel with proper response and sensitvity it also showed the
> > > output through the SDI output of the Avid. Is this not the case. I
> realize
> > > you are mentioning real time playout but does the plugin at least show
> the
> > > correction on the frame you are parked on while you adjust? The
> > > aforementioned thread suggests yes but now I'm wondering.
> > >
> > >
> > > --- In Avid-L2@yahoogroups.com, "blafarm" <blafarm@> wrote:
> > > >
> > > > That would be my wish as well -- but, unfortunately, it seems to be a
> > > fantasy that is not destined to come true.
> > > >
> > > > Curiously, Avid's development model is an unholy mix of refusing to
> > > upgrade toolsets over a period of 10-15 years -- while at the same
> time,
> > > not providing a truly robust architecture to empower 3rd plugin
> developers.
> > > >
> > > > For example, aside from the relational limitations, the last time I
> used
> > > the Baselight plugin you couldn't monitor the output over HD-SDI in
> real
> > > time (I've seen it as low as 3 FPS). Apparently, Filmlight has
> repeatedly
> > > asked for this to be addressed -- but to no avail.
> > > >
> > > > So you are making decisions based on a small image on a computer
> monitor
> > > (RGB color space, Truelight or not). Even worse, you have 3 or 4
> clients
> > > leaning over your shoulder attempting to see what you are doing.
> > > >
> > > > You can't have it both ways: You can't ignore toolsets for a decade
> or
> > > longer -- and not at least give your 3rd party developers the means to
> > > take-up your slack and make the product 'whole' -- even if it's at an
> > > additional cost to your users.
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
> > > > --- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@> wrote:
> > > > >
> > > > > My only real complaint with the 7.0 release - no impovement on
> colour
> > > > > correction. The workflow is so good, the tools are so mediocre.
> > > > >
> > > > > My current wish is that they find a way to let Filmlight hook into
> the
> > > > > workflow parts (relational correction, CC mode) with the Baselight
> > > plugin.
> > > > > That would be ideal!
> > > > >
> > > > > Dylan Reeve
> > > > > http://dylanreeve.com/
> > > > >
> > > > >
> > > > > On Tue, Aug 27, 2013 at 4:24 PM, Terence Curren <tcurren@> wrote:
> > > > >
> > > > > > **
> > > > > >
> > > > > >
> > > > > >
> > > > > >
> > > > > > --- In Avid-L2@yahoogroups.com, "fordtimelord" <mattczak@>
> wrote:
> > > > > > "...although I wish they had moved into this decade along with
> me in
> > > color
> > > > > > correction. "
> > > > > >
> > > > > > Me too!
> > > > > >
> > > > > >
> > > > > >
> > > > >
> > > > >
> > > > > [Non-text portions of this message have been removed]
> > > > >
> > > >
> > >
> > >
> > >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>


[Non-text portions of this message have been removed]



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