Precisely my point.
How can a product whose toolsets have been blatantly ignored for 10-15 years, and which are are woefully obsolete by any measure, be classified as the best editor on the planet?
Media Composer is not a modern, integrated postproduction tool -- it is $999 core product that requires thousands of additional dollars of software in order for it to be competitive with features of a $299 Apple product.
--- In Avid-L2@yahoogroups.com, "Tony Quinsee-Jover" <tony@...> wrote:
>
> Yes, but MC is 'the best editor on the planet' so why should you care?
>
> -----Original Message-----
> From: Avid-L2@yahoogroups.com [mailto:Avid-L2@yahoogroups.com] On Behalf Of
> blafarm
> Sent: 07 August 2013 14:37
> To: Avid-L2@yahoogroups.com
> Subject: [Avid-L2] Re: DS is EOL
>
> Ok, let's see:
>
> We won't fix the Title Tool -- but you can buy the full version of NewBlueFX
> Titler Pro for $200.
>
> We won't fix the Color Corrector -- but you can buy the Filmlight Baselight
> plugin for $995.
>
> We won't fix the Effects Architecture -- but you can buy one of serveral
> Eyeon products for real cash money.
>
> Am I detecting a trend here?
>
>
>
>
>
> --- In Avid-L2@yahoogroups.com, "Scott" <switthaus@> wrote:
> >
> > more info:
> > http://provideocoalition.com/ssimmons/story/it-looks-like-avid-is-fina
> > lly-going-lay-ds-to-rest
> >
> > I love the offer at the end. You get a free MC7 license if you are a DS
> owner but have to pay $1500 for Symphony to get tools inferior to the
> product the company just killed. Avid marketing at its best. Gotta just
> laugh....
> >
>
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