Standard DNX 220 definitely works in Resolve. RGB might give more range in color correction etc... it depends on the final delivery concerns. For TV DNX 220 is fine although I have recently found it easier to use the Red Raw when taking an Avid project to Resolve for a round trip train wreck.
--- In Avid-L2@yahoogroups.com, "Nathan" <ndowning72@...> wrote:
>
> Steve was asking on my behalf. We were doing our first Avid MC v7 to Resolve v9 roundtrip last week. I made the mistake of reading the Resolve manual and found this on page 186:
>
> "Step 1—Create a Project in Media Composer
> 1. When creating a project in Media Composer, take note of the image format details, as these
> should be matched in DaVinci Resolve. In particular, set the image format (e.g., 1080p/24) and
> raster dimensions (e.g., 1920x1080) to match your desired mastering format. Also, color space
> should be set to RGB 709 if you're planning to send ingested/transcoded media from Media
> Composer to Resolve for grading.
> Note: This information can also be found in the Avid Project Format tab."
>
> I'm guessing that it might just be a typo or misunderstanding in the writing of the manual now. I'll do another test with YCbCr media this time in a project on Monday.
>
> --- In Avid-L2@yahoogroups.com, Michael Brockington <brocking@> wrote:
> >
> > I just finished preparing an Avid project for round-trip through Resolve
> > at a facility that seems to have a well-tested workflow. Their delivery
> > specs made no mention of such a limitation, and all footage was
> > delivered as DNx175x (so YCbCr) with no complaint so far.
> >
> > Cheers,
> > --Michael
> >
> > On 13-08-02 3:27 PM, Steve Hullfish wrote:
> > > This is second hand from a client. I'll try to open a YCbCr sequence in an RGB project and transcode.
> > >
> > > Steve
> > >
> > > On Aug 1, 2013, at 8:37 PM, Mark Spano <cutandcover@> wrote:
> > >
> > >> Pardon the non-informational exclamation, but if Resolve can't take YCbCr
> > >> files, I heartily laugh at Resolve.
> > >>
> > >> Back to your originally scheduled programming…
> > >>
> > >>
> > >> On Thu, Aug 1, 2013 at 7:13 PM, Steve Hullfish <steve4lists@>wrote:
> > >>
> > >>> It's not that I'm expecting an appreciable quality difference, it's that I
> > >>> was told that Resolve needs the RGB encoded files and CAN'T use the YCbCr
> > >>> encoded files. So it's not quality, it's transferability to Resolve.
> > >>>
> > >>> Steve
> > >>>
> > >>> On Aug 1, 2013, at 2:02 PM, blafarm <blafarm@> wrote:
> > >>>
> > >>>> My understanding is that you'd have to recapture your source material
> > >>> with the project set to RGB. Of course, if you're only bringing in 4:2:2
> > >>> media, I don't know what the difference would be.
> > >>>> --- In Avid-L2@yahoogroups.com, Steve Hullfish <steve4lists@> wrote:
> > >>>>> If you set up a project as a REC709 YCbCr project, but - after the
> > >>> off-line is complete - determine that you want to go to Resolve for color
> > >>> correction and Resolve requires REC709RGB media, can you somehow transfer
> > >>> your YCbCr project to RGB?
> > >>>>> Steve
> > >>>>>
> > >>>>
> > >>>
> > >>>
> > >>> [Non-text portions of this message have been removed]
> > >>>
> > >>>
> > >>>
> > >>> ------------------------------------
> > >>>
> > >>> Search the official Complete Avid-L archives at:
> > >>> http://archives.bengrosser.com/avid/
> > >>> Yahoo! Groups Links
> > >>>
> > >>>
> > >>>
> > >>>
> > >>
> > >> [Non-text portions of this message have been removed]
> > >>
> > >>
> > >>
> > >> ------------------------------------
> > >>
> > >> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> > >> Yahoo! Groups Links
> > >>
> > >>
> > >>
> > >>
> > >
> > >
> > > ------------------------------------
> > >
> > > Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> > > Yahoo! Groups Links
> > >
> > >
> > >
> > >
> > >
> >
>
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