Re: [Avid-L2] Xdcam to Avid Workflow Prod to post

We do use the Media Transcoder component as well.

No real need for the archive product, as we have both PAM and MAM archives
in house.

---
Rob Lawson
System Administrator, ACSR ISIS, Windows & Interplay
CBS News


On Wed, Jul 31, 2013 at 10:13 AM, Rupert Watson <rupert@root6.com> wrote:

> **
>
>
> Robert
>
> do you use the transcoder as well?
>
> Have you looked at their archive component for Interplay?
>
> Rupert Watson
>
>
> -----Original Message-----
> From: Avid-L2@yahoogroups.com on behalf of Robert Lawson
> Sent: Wed 7/31/2013 1:15 AM
> To: Avid-L2@yahoogroups.com
> Subject: Re: [Avid-L2] Xdcam to Avid Workflow Prod to post
>
> We are very happy with NLTek SAT AI to aid our file-based workflow for
> broadcast news.
>
> Plus if you're working in an Interplay environment, AutoIngest really
> shines.
>
> On Tuesday, July 30, 2013, Shawn Broes wrote:
>
> > There's also the SAT Auto Ingest tool, which also uses the U1 & U2 decks.
> > Get three or four hooked up, and mass ingest is easy.
> > The other cool thing is you can just have it set up to bring in low res
> > proxies (MPEG 4's) for editing, then you can uprez later-
> >
> >
> >
> >
> >
> >
> > On Tue, Jul 30, 2013 at 10:11 AM, Jason Gillet <jsg5403@yahoo.com
> <javascript:;>>
>
> > wrote:
> >
> > > **
> > >
> > >
> > > Cool any one have any experience on how people are working with them in
> > > production? Do people work as if its a tape based workflow and wait
> till
> > > post to ingest. Post makes sense and sound straight forward.
> > >
> > > J
> > >
> > >
> > > On Jul 30, 2013, at 11:01 AM, John Beck <jb30343@windstream.net
> <javascript:;>>
>
> > wrote:
> > >
> > > > Paul Sampson's guide is excellent. About 80% of the media I get was
> > > > recorded as XDCam 50 on Sony Prodisks. Here are a few observations.
> > > >
> > > > The disks have been nearly bullet proof. Out of many hundreds of
> disks
> > > > I've only had 2 fail. I was able to recover 100% of one of them using
> > > > Sony's utility. Sony's media recovery center was able to recover 100%
> > > > of the other for a small fee. The disks are inexpensive enough that
> > > > none of the producers I work with feel the need to reuse them.
> > > >
> > > > For the majority of editing in MC I suggest using a Sony U1 or U2
> drive
> > > > and using AMA to link to the disk. The sad part of this is that with
> a
> > > > full 50 GB disk the AMA linking can take a good 10 minutes. Once the
> > > > clips are on line, cut them into a selects sequence and consolidate
> or
> > > > transcode the sequence. Repeat for all your disks.
> > > > --J.B.
> > > >
> > > > Jason Gillet wrote:
> > > > > Hi All,
> > > > >
> > > > > Please forgive me I have never actually had to deal with XDCAM in
> > > production before. I have a client who is interested in shooting xdcam
> > vs a
> > > card based media such as P2, C300, SXS, etc... His theory is it's
> easier
> > > and cheaper than with Xdcam. What is the real workflow from Prod to
> post?
> > > Is it, shoot to Disk take disk out and ingest into Avid AMA via deck?
> Do
> > > people clone the disks in the field? if so what hardware are they using
> > to
> > > do this with?
> > > > >
> > > > > Thanks,
> > > > >
> > > > >
> > > > >
> > > > >
> > > > > Jason Gillet
> > > > > Editor/Engineer
> > > > > Gillet Productions, LLC
> > > > >
> > > > >
> > > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> > >
> >
> >
> >
> > --
> >
> >
> > *Shawn Broes*
> > *818-606-0576*
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ------------------------------------
> >
> > Search the official Complete Avid-L archives at:
> > http://archives.bengrosser.com/avid/
> > Yahoo! Groups Links
> >
> >
> >
> >
>
> --
> ---
> Rob Lawson
> System Administrator, ACSR ISIS, Windows & Interplay
> CBS News
>
> [Non-text portions of this message have been removed]
>
> www.root6.com/blog
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>


[Non-text portions of this message have been removed]



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