XDcam MXF is standard over here. But then again, Sony rules Europe
broadcast.
Bouke
VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN, the Netherlands
+31 24 3553311
----- Original Message -----
From: "namyrb" <namyrb@gmail.com>
To: <Avid-L2@yahoogroups.com>
Sent: Saturday, July 27, 2013 8:27 PM
Subject: Re: [Avid-L2] "What are you grading this week 2013?", survey
results.
> What about XDCAM? When we were delivering to NBC a couple of years ago,
> everyone was delivering XDCAM 50mbit QTs because they were having us
> deliver the digital masters over the Internet. Prores just took way too
> long to upload. We could have literally driven back and forth between our
> building and the NBC building 200 times before the prores files would be
> uploaded.
>
> On Wednesday, July 24, 2013, Dennis Degan wrote:
>
>> **
>>
>>
>>
>> On Jul 24, 2013, at 2:33 AM, Mark Spano wrote:
>>
>> > Why is this insane? ProRes is perfectly fine to deliver for broadcast.
>> Are you really getting "abysmal" gamma shifts when creating a ProRes file
>> for
>> delivery? I'm not.
>> > I cringe when I don't see it in a deliverable sheet because it means
>> "they don't really know" and I need to have a back and forth with someone
>> about why it's not great to take broadcast delivery as H.264 or worse.
>> > DNxHD and ProRes are both great for broadcast. Neither one is insane.
>>
>> I say:
>>
>> I agree. Literally EVERY edited clip, news story, B-Roll, or show opening
>> you see on NBC is played on air as DNxHD145. Central, Mountain, and
>> Pacific
>> time zones see the Today show ENTIRELY as DNxHD.
>>
>> Dennis Degan, Video Editor-Consultant-Knowledge Bank
>> NBC Today Show, New York
>>
>> [Non-text portions of this message have been removed]
>>
>>
>>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
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