Re: [Avid-L2] Stuff I wish they'd fix

I think what Joe means in the lingo of the youngsters, is:

LOL.

gh
----------------------------------------------------
Greg Huson
Secret Headquarters, Inc
Post Production / Production
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greg (at) SecretHQ.com
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On Jul 22, 2013, at 6:08 PM, Joe Womble <cre8tive@gmail.com> wrote:

> John,
>
> You've been carrying those lines for years now, just waiting for an
> occasion like this to use them, right?
>
> ;-)
>
> Joe
>
> On Mon, Jul 22, 2013 at 5:59 PM, johnrobmoore <bigfish@pacbell.net> wrote:
>
> > Oh come on Steve you can do better on the title:
> >
> > SMARTSCOPE OR S***SCOPE YOU BE THE JUDGE
> >
> > or for their pocket scope:
> >
> > HEY IS THAT A SCOPE IN YOUR POCKET OR ARE YOU JUST GLAD TO QC ME?
> >
> > --- In Avid-L2@yahoogroups.com, Steve Hullfish <steve4lists@...> wrote:
> > >
> > > I am about to publish a review on Ultrascopes on PVC.
> > (www.provideocoaltion). I just checked out the SmartScope Duo that actually
> > has the scope packaged in a nice little rack-mountable pair of LCDs. I
> > agree with some of John's assessment. They are scopes. They are accurate.
> > They do work. They have no customizability. There's no zooming. There's no
> > gamut displays. I would definitely put them in the category of "you get
> > what you pay for" when compared to a better - and much more expensive scope
> > - like the Tektronix that I get paid to promote. If you have $7000 to spend
> > on a waveform monitor and you do color correction and broadcast work that
> > has to meet a certain level of QC, then you should not buy the UltraScopes.
> > But if you want some form of external waveform monitor, you can only afford
> > $1000 and you can make do with the basic RGB Parade and Vectorscope, then
> > the UltraScope will do you fine. It is WAY better than internal scopes,
> > especially on Avid, which has the worst internal scopes on the market,
> > mostly because they don't update while you're making adjustments! What's
> > the fricking point in having a waveform monitor if they're basically just
> > for STILLS? Anyway, my review should be up on PVC shortly. I promise Philip
> > that I won't use a provocative title. I'll stick with something more in
> > keeping with his marketing sensibilities like "A theoretical evaluation of
> > the Black Magic SmartScope Duo and their relevance to the evaluation of
> > high frequency video signals and the analysis of proper gamut sensibilities
> > within the confines of a broadcast environment in a post-SMPTE
> > neo-classical definition of luminance, hue and saturation."
> > >
> > > Steve
> > >
> > > On Jul 22, 2013, at 6:15 PM, "johnrobmoore" <bigfish@...> wrote:
> > >
> > > > I've done shows with Ultrascopes. They are not my preference as they
> > have limited options and the lack of I and Q vectors is a pain regardless
> > of what the engineers might say. A simple addition that most other scopes
> > have. The lack of updating that feature request speaks volumes to me as to
> > how responsive Blackmagic is to user requests. I'm sure they listen but to
> > not implement this simple addition after Ultrascope has been out this long
> > isn't promising.
> > > >
> > > > --- In Avid-L2@yahoogroups.com, rusescu laurentiu <rusesculaurentiu@>
> > wrote:
> > > > >
> > > > > Is Ultrascope good enough to asist CC in Avid?
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> >
> >
> >
> >
> > ------------------------------------
> >
> > Search the official Complete Avid-L archives at:
> > http://archives.bengrosser.com/avid/
> > Yahoo! Groups Links
> >
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>



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