The same concept works in your situation. Shoot the TC window and record the audio at the same time. Bring that into your Avid and look at there the beep hits. That frame's BITC will reveal your offset.
--- In Avid-L2@yahoogroups.com, "johnrobmoore" <bigfish@...> wrote:
>
> I can see how that would measure the processing delay of the monitor relative to the Crt virtual no processing but it wouldn't be judging the audio tone blip relative to the video blip. That had been set to approx 6 frames for the old computer and Protools. I like the idea in theory but needing to judge audio and video sync I'll have to experiment with different duration blips and monitor setting. The mixer had it close I just wanted to take advantage of having the sync check box. It is potentially disconcerting that different codecs might have different delays through the Intensity card anybody know if this is true?
> --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> >
> > Use the poor man's sync check. Put a huge TC window in the center of the frame. Put the monitor in visual alignment with a CRT displaying the same thing or your edit display with the TC window up. Then take a picture with the two windows in the same shot. Compare TC numbers.
> >
> > --- In Avid-L2@yahoogroups.com, John Moore <bigfish@> wrote:
> >
>
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