Check this out first:
http://www.avid.com/static/resources/documents/whitepapers/digital_camera/digital_camera_workflow_whitepaper_us.pdf
On 6 jun. 2013, at 07:13, Michael Brockington <brocking@sfu.ca> wrote:
> It's been over a year, so maybe there's a better way now, but I was
> using EDLs. Create a pull list in Avid, and generate an EDL which can
> be imported to Red Cine-X. Using the FILE_16 template is it? The one
> with the longer tape name to accommodate the length of the R3D filenames.
>
> Cheers,
> --Michael
>
> On 13-06-05 2:23 PM, John Moore wrote:
>>
>> We're having issues transcoding Red Epic files to Avid DNX 220 in mc
>> 6.5.2 so the AE is trying to take the Avid sequence into Red Cine - X
>> and see about consolidating, or whatever term they use, the R3D files
>> to send to the new Resolve system. I'm told he tried an ALE but it
>> didn't work. I haven't played much in this world but I thought you
>> would send an AAF from Avid to Red Cine-X. What is the best method to
>> get a sequence into Red Cine X from Avid and then link to the R3D
>> files and consolidate the media that is used in the sequence?
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