Cip names don't matter. If you make the Source File name visible in the
bin, you can see Avid kept track of that for you, even if you change the
clip name.
It has worked well for me in 6.5
On Thursday, April 11, 2013, ksirul wrote:
> **
>
>
>
> Is the relink in online really that painless? Does it matter if they
> change clip names?
>
> --- In Avid-L2@yahoogroups.com <javascript:_e({}, 'cvml',
> 'Avid-L2%40yahoogroups.com');>, electropura212 <electropura212@...> wrote:
> >
> > AMA/Transcode the H.264 to DNX 36, edit, the re-link the sequence to the
> > H.264 footage and transcode to DNX 175 or whatever you intend to online
> at.
> >
> >
> >
> > On Thursday, April 11, 2013, ksirul wrote:
> >
> > > **
> > >
> > >
> > >
> > > Also, they want to transcode to a low res for offline and then go back
> to
> > > the original file for online. What is the best way to handle this
> > > especially with 7D footage? They are on MC6.5
> > >
> > > Thanks,
> > >
> > > Ken
> > > --- In Avid-L2@yahoogroups.com <javascript:_e({}, 'cvml',
> 'Avid-L2%40yahoogroups.com');> <javascript:_e({}, 'cvml',
> > > 'Avid-L2%40yahoogroups.com');>, "ksirul" <kenavid2@> wrote:
> > > >
> > > > Below is a clients workflow they are considering (We are doing
> online in
> > > Symphony) and were just asking if there was a better way to do this. I
> > > thought that it would be easier to use PluralEyes do do the syncing. Is
> > > that better than what they have? Either way, is it best to use AMA and
> do
> > > all the syncing before transcoding or should they transcode everything
> > > first and then sync? Is there a better way?
> > > >
> > > > Thanks,
> > > >
> > > > KEN
> > > >
> > > >
> > > > we have changed to recording sound on the Zaxcom Nomad, sending audio
> > > time code to the 7D and syncing that way. This has caused some
> disruption
> > > in the work flow.
> > > >
> > > >
> > > > We have video with audio timecode, and audio based on the same
> timecode.
> > > >
> > > > We want to do two simple things:
> > > > 1) We want to AutoSync the audio and video (to make subclips), then
> > > > 2) AutoSequence the audio, video, and subclips to make a Sync Map
> > > timeline that shows all of the footage for that day spread over a
> sequence
> > > that essentially represents real time.
> > > >
> > > > Because AutoSequence only works with START timecode, this is the only
> > > way we could determine to do this:
> > > > 1) Read Audio Timecode for all video clips, which populates AUX TC1
> with
> > > the audio timecode values
> > > > 2) For each video clip, one by one, we copy the new value in the AUX
> TC1
> > > column to the START column [by default, the START column for all of our
> > > clips is 0:00:00:00]
> > > > 3) Run AutoSync on these video clips and the audio clips to pair both
> > > and create subclips.
> > > > 4) Run AutoSequence on these video clips, audio clips, and subclips
> to
> > > create a sync map timeline.
> > > > 5) Then for each video clip we go back and, one by one, change the
> START
> > > timecode column value back to 0:00:00:00.
> > > >
> > >
> > >
> > >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>
[Non-text portions of this message have been removed]
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