No it is for telly people. Most of whom are still asking me for 10:1m
FFS!
Rupert Watson
+44 7787 554 801
www.root6.com
From: Avid-L2@yahoogroups.com [mailto:Avid-L2@yahoogroups.com] On Behalf
Of Tony Quinsee-Jover
Sent: 06 March 2013 15:25
To: Avid-L2@yahoogroups.com
Subject: RE: [Avid-L2] Hope for Avid - Interplay Connect and Sphere
Can it handle 4k?
2k?
Tony
-----Original Message-----
From: Avid-L2@yahoogroups.com
[mailto:Avid-L2@yahoogroups.com ] On
Behalf Of
Rupert Watson
Sent: 06 March 2013 15:23
To: Avid-L2@yahoogroups.com
Subject: RE: [Avid-L2] Hope for Avid - Interplay Connect and Sphere
We demoed this last week at BVE in the UK and I have to agree. A game
changer.
Rupert Watson
+44 7787 554 801
www.root6.com
From: Avid-L2@yahoogroups.com
[mailto:Avid-L2@yahoogroups.com ] On
Behalf Of
Steve Hullfish
Sent: 06 March 2013 15:09
To: Avid-L2@yahoogroups.com
Subject: [Avid-L2] Hope for Avid - Interplay Connect and Sphere
I went to see the presentation on Interplay Connect (different than just
"Interplay) and Sphere.
These are probably the most impressive products I've seen from Avid in a
long time (and play into Terry and other's perspective of Avid as now
being
a server company)
Interplay Connect allows anyone, anywhere access to an Isis, through
Interplay to be able to log footage and do review and approval. Through
a
web browser, it's possible to watch raw footage, place locators, open
and
download and comment on any other types of files that might be on Isis,
and
do frame accurate review and approval of sequences. It even allows the
creation of very basic sequences - like selects reels - from a browser,
even
using a pretty crappy internet connection.
Sphere allows a Symphony or Media Composer running anywhere there's an
internet connection to edit footage that resides entirely on an Isis in
a
remote location. This obviously has implications for all of us. It also
allows a remote Media Composer or Symphony to ingest footage on location
and
upload it - as either proxy or full resolution - to the Isis in another
distant location. That was pretty cool to see. It allowed remote footage
to
be intercut seamlessly with local footage and for the MC to upload JUST
the
local footage used in the sequence - at full rez - in the background
WHILE
MC continued to edit.
I rarely use the word "game changer" but I think this is one. Clearly
Avid
has had all of the individual piece of this for a long time, but they
assembled them together in something much more lovely than a
"Frankenstein"
kludge.
The only real issue with this, is that with the cost of the Isis,
Interplay,
Interplay Connect and Sphere licenses, it's clearly over most people's
heads. But these solutions are ideal for several projects I'm working on
at
the moment and several that people for whom I'm consulting are having.
Very
impressive. Kudos to the team. BTW, Bob Russo demoed the whole thing
beautifully.
If you haven't seen this working in a local sales presentation, check it
out
at NAB.
Steve Hullfish
contributor: www.provideocoalition.com
www.root6.com/blog
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