Regarding the notching from an EDL, I loaded Resolve on my DS system for a test. There are a few technical issues but i just wanted to sit down in front of Resolve and see it for myself. It can look at a flattened movie file and add edits based on cuts in the movie. Sounds incredible and it isn't 100% perfect but it does somewhat work and is pretty impressive.
KEN
--- In Avid-L2@yahoogroups.com, "oliverpetersvidy" <oliverpeters@...> wrote:
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> Welcome to the new reality. No color correction workflow right now is as good as an integrated color correction tool or even the FCP7/Color workflow. Unfortunately Avid's attention to color correction has become a cruel joke.
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> Everything you discovered is correct. The roundtrips with Resolve using XML, AAF or FCPXML are all about the same and depending on how the sequence was prepped, have the same issues. The safest bet is a flattened file with an EDL to notch the cuts. You will have similar issues with other correctors as well.
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> The actual quality of the correction is really subjective and if you look at how colorists work in Resolve, some do curves or sliders, some do wheels and some love lots of nodes. Ultimately good colorists will get to the same place using a variety of different toolboxes within Resolve. And they'll also get there using a variety of different color correction systems.
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> Unfortunately you are going to run into Resolve more and more, because producers will put in their own systems - attracted by the free to $1K price tag.
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> - Oliver
>
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