Re: [Avid-L2] Machine Room Best Practices

By the way, Dave, if you need some second - hand BSPs (3x UVW-1800s, refurbed 2 or 3 years ago, plus a working 'backup' machine with a questionable elevator) and a couple digibetas, (A500 / A510)... we STOPPED doing SD dubbing, quite suddenly, about a 9 months ago, and I haven't 'cleared' the rack yet. I'll keep a couple a500s, but need to surplus, probably 2x a500s and 2 or 3x 510s.

I have at least one component DA (ocean systems or similar?) that's idle now, too...

just sayin', I'm open to offers...

gh
----------------------------------------------------
Greg Huson
Secret Headquarters, Inc
Post Production / Production
Culver City, CA
323 677 2092
www.DigitalServiceStation.com
greg (at) SecretHQ.com
www.SecretHQ.com




On Feb 28, 2013, at 8:41 AM, Dave Spraker <avid@spraker.tv> wrote:

> I'm assisting a customer set up a machine room for Broadcast dubs and
> looking for some best practices.
>
> There will be 8 Avid Mojos feeding 4 Beta SP, 2 DVC Pro, HDCam, and HDCam
> SR. They will also be doing closed caption and veil encoding. Currently we
> are looking at a low cost SDI router like BMD or AJA.
>
> The one question in my mind is how do gang the decks together to do
> simultaneous dubs.
>
> Any thoughts would be appreciated.
>
> Thanx,
>
> Dave Spraker
>
>
> Western Rep | EditShare | Maxx Digital | Consulting | Sports Audio
>
> dave@spraker.tv dave@spraker.tv>
> (503) 897-0250
>
> www.westernrep.com
>
> www.editshare.com http://www.editshare.com/>
>
> www.maxxdigital.com http://www.maxxdigital.com/>
>
> www.spraker.tv http://www.spraker.tv/>
>
> https://www.vizify.com/es/50a32f618e76660002000521> See my vizify bio!
>
> ___
>
> [Non-text portions of this message have been removed]
>
>



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