Well, you could just link via AMA and make the appropriate columns visible
in your bin. Sort by those columns and separate into new bins.
On Tuesday, January 22, 2013, john.maio5011 wrote:
> **
>
>
> Interesting stuff re: 5D. Is there a program that could look at say
> several hundred clips and yield info on frame rates, resolution, etc. so I
> can sort them before bringing them into Symphony. I recently got a hard
> drive full of clips with groups of different frame rates, different aspect
> rations, different resolutions, and of course, different audio parameters.
>
> Videospec http://videospec.free.fr/english/ does it but displays the clip
> info in a horizontal format, but hey, its free. Is there anything else like
> this which can sort them by defined parameters?
>
> --- In Avid-L2@yahoogroups.com <javascript:_e({}, 'cvml',
> 'Avid-L2%40yahoogroups.com');>, Lou Wirth wrote:
> >
> > Thank you for that. I was not aware of this specific workflow.
> >
> > Lou
> > On Jan 22, 2013, at 12:14 PM, Mark Spano wrote:
> >
> > > How did you bring the footage in? Because for 5D shot at 23.976p,
> there is
> > > only one way to bring it into a 29.97 project the correct way.
> > >
> > > AMA link to 5D footage
> > > Open bin column FIELD MOTION
> > > Change each clip one by one to PROGRESSIVE
> > > Transcode.
> > >
> > > Not setting the FIELD MOTION column to PROGRESSIVE will result in awful
> > > looking stuff.
> > > Setting the FIELD MOTION column to PROGRESSIVE will result in proper
> 2:3
> > > pulldown and life is peachy.
> > >
> > > On Tue, Jan 22, 2013 at 3:06 PM, Lou Wirth loutv@...> wrote:
> > >
> > > > Shot with a 5D
> > > > On Jan 22, 2013, at 11:49 AM, Jay Mahavier wrote:
> > > >
> > > > > Can you provide some information on the model of cameras? Maybe
> the one
> > > > shooting 24fps is doing 24/30 and adding pulldown like a 2224
> pattern and
> > > > that is somehow being converted back to 24 thinking it 2323. Or some
> crazy
> > > > thing. But more info would be good.
> > > > >
> > > > > jay
> > > > >
> > > > > On Jan 22, 2013, at 1:44 PM, Terence Curren wrote:
> > > > >
> > > > > > You definitely went the right way unless you have to deliver 24.
> > > > Adding frames to 24 is much smoother then taking frames out of 30.
> > > > > >
> > > > > > Now, why you are getting jittery footage is another issue. It
> should
> > > > be very smooth. When you look at the motion effect editor for one of
> the 24
> > > > frame clips in your 30 frame timeline what do you see? It should
> show you
> > > > the source is progressive and the output is film with a 2:3 pulldown
> added.
> > > > > >
> > > > > > If it shows that and the footage is jittery (not a very
> illuminating
> > > > description), you might try changing the output to interlace and see
> what
> > > > happens.
> > > > > >
> > > > > > --- In Avid-L2@yahoogroups.com <javascript:_e({}, 'cvml',
> 'Avid-L2%40yahoogroups.com');>, Lou Wirth wrote:
> > > > > >>
> > > > > >> Hi
> > > > > >> I have a project starting today with two cameras shooting. One
> cam
> > > > shot 24fps and one shot 29.97. I made the project 29.97 but the 24fps
> > > > footage is a bit jittery. Should I have gone with a 24fps project and
> > > > transcoded the 29.97 to the other rate? Which option would yield the
> best
> > > > quality as one of the frame rates has to change?
> > > > > >>
> > > > > >> thanks
> > > > > >>
> > > > > >> Lou
> > > > > >> Lou Wirth Productions
> > > > > >> 500Tamal Plaza, Suite 522
> > > > > >> Corte Madera, CA 94925
> > > > > >> www.louwirth.com
> > > > > >> 415-924-9411p
> > > > > >>
> > > > > >
> > > > > >
> > > > > >
> > > > > >
> > > > > > ------------------------------------
> > > > > >
> > > > > > Search the official Complete Avid-L archives at:
> > > > http://archives.bengrosser.com/avid/
> > > > > > Yahoo! Groups Links
> > > > > >
> > > > > >
> > > > > >
> > > > >
> > > > >
> > > >
> > > > Lou Wirth Productions
> > > > 500Tamal Plaza, Suite 522
> > > > Corte Madera, CA 94925
> > > > www.louwirth.com
> > > > 415-924-9411p
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
> > > > [Non-text portions of this message have been removed]
> > > >
> > > >
> > > >
> > > > ------------------------------------
> > > >
> > > > Search the official Complete Avid-L archives at:
> > > > http://archives.bengrosser.com/avid/
> > > > Yahoo! Groups Links
> > > >
> > > >
> > > >
> > > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> >
> > Lou Wirth Productions
> > 500Tamal Plaza, Suite 522
> > Corte Madera, CA 94925
> > www.louwirth.com
> > 415-924-9411p
> >
> >
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>
[Non-text portions of this message have been removed]
------------------------------------
Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
Yahoo! Groups Links
<*> To visit your group on the web, go to:
http://groups.yahoo.com/group/Avid-L2/
<*> Your email settings:
Individual Email | Traditional
<*> To change settings online go to:
http://groups.yahoo.com/group/Avid-L2/join
(Yahoo! ID required)
<*> To change settings via email:
Avid-L2-digest@yahoogroups.com
Avid-L2-fullfeatured@yahoogroups.com
<*> To unsubscribe from this group, send an email to:
Avid-L2-unsubscribe@yahoogroups.com
<*> Your use of Yahoo! Groups is subject to:
http://docs.yahoo.com/info/terms/
No comments:
Post a Comment