I'll second Mark's definitive "yes and no". I've done. I've survived. But it always requires a lot of noodling.
--- In Avid-L2@yahoogroups.com, Mark Spano wrote:
>
> Yes and no, different experiences. Automatic Duck Pro Export FCP is a
> friend. The easiest way from FCP to Symphony is via AAF from Automatic Duck
> using AMA relink for a sequence. It works, but you have to give yourself
> some time to figure out the inconsistencies between FCP and Symphony.
> First, any audio-only files should be imported, not AMA linked. This will
> make things easier. Audio clips will generally relink, but sometimes they
> won't. I have found that when audio clips don't relink, it is usually
> because timecode doesn't match. A lot of FCP imported audio clips will show
> up starting at 00:00:00:00, and the same audio clip in Symphony will show
> up at 01:00:00:00. Or drop/non-drop is different. Luckily, once it's in
> Symphony, you can compare your imported clip with what the sequence is
> looking for (sequence/bin/show reference clips), and match them up and then
> they'll relink. Video clips care about timecode, name, and also tape name.
> Match all three and you'll get things relinked.
>
> Watch the tutorial video from Wes's site (http://youtu.be/dsEK8e9qgJE) - it
> works like that but not usually as seamless. If you can handle adding tape
> names and modifying timecodes, you can get things relinked. Symphony's
> relinking is pretty great, even before the new update which added more
> relinking options.
>
>
> On Tue, Jan 15, 2013 at 3:27 PM, ksirul wrote:
>
> > **
> >
> >
> > Anyone had a successful experience AMA relinking an entire FCP project
> > that has been transcoded to ProRes?
> >
> > KEN
> >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
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