DS SchmeeS , what about the subject?
Re: [Avid-L2] When do we get bigger-than-HD in MC?
Owen's iphone
On Dec 5, 2012, at 3:36 PM, Gus <gustheeditor@gmail.com> wrote:
> As was just said, the tools came from Symphony so the actual moving of
> buttons to get color is similar. But the relational thing is gone in DS
> (whcih is frustrating), and that has to be done more through copy and
> paste. It's harder to bone yourself in DS Color than Symphony, as
> everything (for better or worse) is pretty manual.
>
> -G
>
>
> On Wed, Dec 5, 2012 at 11:52 AM, Steve Hullfish <steve4lists@veralith.com>wrote:
>
>> **
>>
>>
>> I get that completely. I'm not saying that DS and Symphony are equal. The
>> question was "If I move from Symphony to DS will the COLOR CORRECTION tools
>> be foreign to me?"
>>
>> That's what I was addressing. What is your take on that as someone who has
>> clearly done both?
>>
>> Not taking into account the other learning curve issues but sticking to a
>> Symphony guy doing CC on a DS...
>>
>>
>> Steve Hullfish
>> contributor: www.provideocoalition.com
>> author: "The Art and Technique of Digital Color Correction"
>>
>> On Dec 5, 2012, at 1:44 PM, Gus <gustheeditor@gmail.com> wrote:
>>
>>> I found it extremely painful to switch use Symphony after DS, despite
>> bing
>>> an MC for years before DS. The tools lost for finishing are all but
>>> insurmountable.
>>>
>>>
>>> On Wed, Dec 5, 2012 at 11:06 AM, Steve Hullfish <
>> steve4lists@veralith.com>wrote:
>>>
>>>> **
>>
>>>>
>>>>
>>>> I thought that the DS color correction was very similar to Symphony. It
>>>> looks different, but it seemed to break down to similar functions in
>>>> similar organization... But that's from being a backseat driver of a DS,
>>>> not the guy with the wheel in his hands.
>>>>
>>>> But I do remember saying to the DS guy that he should be able to move
>> over
>>>> to Symphony easy enough.
>>>>
>>>> Steve Hullfish
>>>> contributor: www.provideocoalition.com
>>>> author: "The Art and Technique of Digital Color Correction"
>>>>
>>>> On Dec 5, 2012, at 12:48 PM, johnrobmoore <bigfish@pacbell.net> wrote:
>>>>
>>>>> So what you are saying is DS really supports all these somewhat higher
>>>> end workflows with DPX and resolution independence, I believe that's
>>>> correct but I'm no DS expert. Would it be safe to say that if I were
>>>> willing to get out of my symphony comfort zone and buckle down on the
>> DS I
>>>> could have access to a platform that would cope well in this arena? How
>>>> much of a shock would the color correction in DS be for a staunch
>> Symphony
>>>> colorist? I know it's powerful but does it have any support for the
>>>> relational color correction of the symphony workflow?
>>>>
>>>> [Non-text portions of this message have been removed]
>>>>
>>>>
>>>>
>>>
>>>
>>> [Non-text portions of this message have been removed]
>>>
>>>
>>>
>>> ------------------------------------
>>
>>>
>>> Search the official Complete Avid-L archives at:
>> http://archives.bengrosser.com/avid/
>>> Yahoo! Groups Links
>>>
>>>
>>>
>>>
>>
>>
>>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
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