I hope you get a few more responses on this topic, John.
I've been working on a doc with lots of subtitled rushes the last few
months, and have become a big fan of reverse-matchframe.
My source footage has all become source sequences, with subtitle effects
applied for rough translation. So simple things like trimming or
match-frame are no longer that simple, since they don't give me access
to the subtitles.
But I can load an assembly of subtitled rushes in the source window,
activate the sequence monitor, hit reverse matchframe, and be able to
access adjacent footage including subtitles with relative ease.
Not really a new discovery -- just a feature I hadn't found much use for
before (which turns out to be invaluable!)
Cheers,
--Michael
On 12-12-28 12:10 PM, John Moore wrote:
>
> Okay the year is almost over but I think it would be great to hear
> what everybody learned this year that was new to them in Avid. I've
> already posted about the correlation offset regieon tracker that I
> finally started using. I had been stuck in my old ways but now a
> right click in the tracker data timeline and I can start a new tracker
> region with a new start box to find a new anchor point and I don't
> have manually offset the shape like I did before using the new region
> tracker technique. This would be my best discovery in Avid this year
> even though it's been around a while I finally started to use it.
> Looking forward to see what everybody else has discovered or rediscovered.
>
> John Moore
>
> Barking Trout Productions
>
> Studio City, CA
>
> bigfish@pacbell.net <mailto:bigfish%40pacbell.net>
>
> [Non-text portions of this message have been removed]
>
>
[Non-text portions of this message have been removed]
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