Why not add an ident (prob at tail for safety) and then remove it when
exporting from QTPro
Here's
<https://www.dropbox.com/s/620r2mk0qfshvxl/BLITS_v1_ProRes_LT.mov> an
example with BLITS
<http://en.wikipedia.org/wiki/Black_%26_Lane's_Ident_Tones_for_Surround>
tone - which might get you close (other than it is only 8 tracks, I
knocked it together in FCPX and I can't guarantee it's accuracy. And
it's 25 fps. Other than that it's just right.)
You John will obviously need a TWITS tone for a Twelve tWack Ident Tone
System.
--- In Avid-L2@yahoogroups.com, John Moore <bigfish@...> wrote:
>
> I'm delivering a prores HQ 422 file with 12 tracks of audio for
discrete 5.1 and mono mix, Lo, Ro and M&E. I have always found the
tracks go out in the order they are on the Avid timeline. For example
I'm assuming that track 3 the center track on my timeline will be the
3rd mono track listed in the QTPro info tab. Other than ama linking to
the final .mov after it's been created how can I confirm .mov file audio
tracks contents? I know I can turn off various tracks in the "CMD J"
properties window but that's kind of hard to distinguish Left from Lo.
I know I can change the labels for the tracks in the properties window
but I only see Rt and Lt not Ro and Lo. What does a network do with
these files to make sure everything is in the correct place? I do see
channel numbers in the properties window. Can I assume track one from
my avid timeline will always export to channel 1 in a QT Ref export as
long as I'm in direct mode. Just want to figure
> out how to confirm what I think is what's happening under the hood.
>
> John Moore
>
> Barking Trout Productions
>
> Studio City, CA
>
> bigfish@...
>
> [Non-text portions of this message have been removed]
>
[Non-text portions of this message have been removed]
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