, ProRes exports always behave as though they were exported
> as RGB, regardless of whether RGB or 601 was chosen in the export dialogue.
>
> This is consistent with the results you just reported, as well as the
> odd results I reported earlier in this thread.
Michael,
That doesn't make sense to me. If the APR export would behave like it was exported as RGB (which would crush 0-15 and clip 236-255), a re-import into Avid would show different levels, and it does not. All levels below 16 and over 235 are maintained.
It's hard to follow your test results as they show up mangled up here.
How and where are you determining that the APR export "behaves like RGB"?
J
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