VLC does make both files look the same, but not in a good way -- it crush the blacks and truncates the whites in the Avid DNxHD file, so it then looks like the ProRes file. That's not correct.
Cheers,
--Michael
--- In Avid-L2@yahoogroups.com, "bouke" <bouke@...> wrote:
>
> IOW, check with VLC.
>
> Bouke
>
> VideoToolShed
> van Oldenbarneveltstraat 33
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> ----- Original Message -----
> From: "Job ter Burg (L2B)" <Job_L2@...>
> To: <Avid-L2@yahoogroups.com>
> Cc: "Avid-L2" <Avid-L2@yahoogroups.com>
> Sent: Monday, September 17, 2012 6:33 PM
> Subject: Re: [Avid-L2] ProRes export weirdness, with same-as-source export
>
>
> I bet the difference is in how QT displats the ProRes QT file. Levels should
> match.
>
> Sent from my iPad
>
> On Sep 17, 2012, at 18:28, Michael Brockington <brocking@...> wrote:
>
> > I thought the ProRes native handling was supposed to fix this kind of
> > stuff, but the following gives me unexpected results (Running MC 6.0.3
> > software only on 10.7.4)
> >
> > 1. import the belle-nuit test chart as DNx220
> > 2. transcode to ProRes HQ. The original and the transcode appear
> > identical inside Avid.
> > 3. Export a still of both DNx and ProRes as TIFFs -- they appear
> > identical.
> > 4. Export both the DNx and ProRes versions same-as-source, CCIR levels.
> > They look different. The ProRes version looks like it has been exported
> > with RGB levels -- blacks crushed, whites truncated.
>
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