Geez for years we've had to read producer and director minds so lip reading is almost second nature but still a pain in the arse.
--- In Avid-L2@yahoogroups.com, "Tony Breuer" <tonybreuer@...> wrote:
>
> Hopefully the cameraman left the camera mic on. I recently had a whole scene in a movie to cut where the cameraman didn't record any audio on the F3. His response was, "Why should I. The sound guy recorded it. Use Plural Eyes".
>
> Now as editors we are expected to be able to read lips.
>
> Tony
>
> --- In Avid-L2@yahoogroups.com, "ksirul" <kenavid2@> wrote:
> >
> > Hmm, these are both good ideas, especially since I can download a 30 day trial of Plural Eyes and be done with it. Any benefit over one or the other?
> >
> > KEN
> >
> > --- In Avid-L2@yahoogroups.com, Marcus <gen@> wrote:
> > >
> > > Group clips by time code.
> > >
> > > Marcus
> > >
> > > -----Original Message-----
> > > From: ksirul
> > > Sent: 21/09/2012 19:02
> > > To: Avid-L2@yahoogroups.com
> > > Subject: [Avid-L2] Double System sound
> > >
> > > I have not needed to do this before but here we go. I got some F3 interviews with sound recorded on an external sound device. I planned on AMAing the footage into MC6.0.1 for editing. What is the best way to marry the sound and pix? I believe it has matching time code. I may also need to be able to link back to the original F3 material. What can I do? Metafuze? Something else?
> > >
> > > Thanks,
> > >
> > > KEN
> > >
> > >
> > >
> > > ------------------------------------
> > >
> > > Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> > > Yahoo! Groups Links
> > >
> > >
> > >
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> >
>
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