Re: [Avid-L2] Red nightmare

The ALE is used to get all of the metadata in there whether you import the
AAFs or access the clips via the Media Tool.

On Wed, Aug 8, 2012 at 3:44 AM, Ross Flint <rossf@onsight.co.uk> wrote:

> **
>
>
> You don't import (or even AMA) the MXF files that RedCine creates. They
> are OP-Atom MXF files, so you just put them in the Avid MediaFiles
> folder. RedCine should also be creating AAF files which you can then
> import and link to the media. It creates ALEs too, but they aren't
> actually valid ALE files and Media Composer rejects them. As an
> alternative to using the AAFs, you can bring the files in with the Media
> Tool (although you'll get less metadata across that way).
>
> Ross Flint
>
> Senior Non-Linear Engineer
>
> ONSIGHT Ltd
>
> Shepperton Studios, Middlesex, TW17 0QD
>
> M. 07779 169788
>
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> E. rossf@onsight
>
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>
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>
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> On 08/08/2012 01:25, Lou Wirth wrote:
> >
> > I don't know how you guys do it. I have several Red Epic files (screen
> > shots of a computer demo) that last 5 or 6 minutes. I am on day two
> > and yet to get these into anything Avid can understand. AE C6 will
> > take them but its a 10 hour render. Premier CS6 is cranking now going
> > on 5 hours for one clip. We'll see how this works. In the mean time,
> > this Red Cine has been a nightmare. I've used it before on small clips
> > to create DnX files and no problem. But for some reason, it just can't
> > get a file out (four hours on this one) that can be imported. Just get
> > errors. I even tried to just make a prores and after 1 hour (i
> > shortened the clip) it came out to a 1 MB file that can not open.
> >
> > What is the secret to working with these files? I am on a tight
> > deadline and going crazy.
> >
> > thanks
> >
> > Lou
> > Lou Wirth Productions
> > 500Tamal Plaza, Suite 522
> > Corte Madera, CA 94925
> > www.louwirth.com
> > 415-924-9411p
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>
>


[Non-text portions of this message have been removed]



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