On 10/08/2012 03:58, Dylan Reeve wrote:
> I seem to recall
> hearing that the new series of Red Dwarf was shot on RED in a standard
> studio multicam style which sounds a bit ridiculous until you think how
> often 35mm used to be used in that scenario.
>
It was indeed. We supplied all the kit and managed the workflow from
acquisition to final playouts, so we were able to ensure that the
cameras all matched (or at least bang some heads quickly when the
operators fiddled with something they shouldn't) and that timecode was
accurate everywhere. To keep things on topic for the list, the series
was off-lined in Avid and finished in SGO Mistika. I wasn't heavily
involved in the latter stages, but I think it is fair to say that it
went quite smoothly for the most part.
Ross
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