This is for monitoring sync only so there would not be a phase issue for the output. That does bring up an interesting point. With two of the Behringer units, and shark is a cool name for the FBQ100, they have a digital readout on the front so I would think if I enter the exact same delay number in both units there should not be a phase issue while monitoring. Is that a reasonable assumption? Just one more headache from the low frequency video camp, although to be fair it's the video monitor introducing the delay in this case.
--- In Avid-L2@yahoogroups.com, Jimmy Dutt <bytemonkey@...> wrote:
>
>
> From an application standpoint, you're looking for something along
> these lines aren't you?...
>
> http://www.felston.com/products.htm
>
> http://www.sonifex.co.uk/redbox/rbds2_ld.shtml
>
> http://www.studio-tech.com/product_76db77b.html
>
> (Disclaimer: these are priced anywhere from "Damn" to "OUCH" up to "Oh
> *HELL* No!"
>
> What I think you're looking for is a simple, stereo (or two locked mono)
> channel short-duration monitor delay line -- so you may actually want to
> look at live / venue sound reinforcement resources, as these are used
> profusely in those areas.
>
> Yes, something like those Behringer units would probably work - although
> you'd not want to use those for actual output (phase shift). For that
> matter there a metric crapload of 1RU mono DDLs on eBay for $50.
>
> -jimmy
>
>
>
> On 8/28/12 7:16 PM, John Moore wrote:
> > Anybody have a better unit for the job.
>
No comments:
Post a Comment