Also, not sure how long ago you were doing cc in Symphony, but CC in Symphony is now keyframable, without the need to resort to adding edits and dissolves.
Good tips on FCP-X Oliver. Thanks.
Steve Hullfish
contributor: www.provideocoalition.com
author: "The Art and Technique of Digital Color Correction"
On Jul 22, 2012, at 8:04 PM, Jeff Kreines wrote:
> Oliver:
>
> Thanks! Worked perfectly. I have been bouncing between MC6, Premiere Pro, AE 6, and FCP-X and am getting paradigm overload. The dissolves should solve the keyframe problem, though not perfectly elegantly -- but workably.
>
> Deeply appreciated!
>
> Jeff
>
> On Jul 22, 2012, at 7:38 PM, oliverpetersvidy wrote:
>
> >> Jeff Kreines wrote:
> >> the shots do not remain in sync during the dissolve!
> >
> > I do this, too. They should be in sync, so maybe you are inadvertently moving or trimming them thanks to the magnetic timeline. Cut your clips in the Position mode (P key), then select the cut and cmd-T for a default dissolve.
> >
> >> I searched for a keyframable effect for color correction
> >
> > I'm not sure about keyframes, but you might look at Yanobox Moods (part of FxFactory) or Irudis Tonalizer.
> >
> >> (In trim, why can't you just drag the head or tail marker, rather than counter-intuitively slide the film strip in relation to it?)
> >
> > Forget the Precision Trimmer. Use the Trim mode (T key).
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