Re: [Avid-L2] Was Sony OLED now Color Correction question...

I would think that the answer here is that the black level itself should be set the same way with either an LCD or an OLED, and that is WITH A WAVEFORM MONITOR.

So your blacks are identical in the SIGNAL on either monitor, however the OLED allows you to see better in the blacks for issues like noise and detail and compression artifacts and even unwanted detail.

Setting your levels with a waveform monitor, you might also be less likely on an OLED to crush your blacks to get a nice rich looking black, because you'd already be seeing it that way. With a poorer quality LCD, you may have the tendency to crush stuff that you shouldn't. If you're looking at the SCOPES anyway for your true blacks, then hopefully you don't fall into this trap.

Remember that your video monitor is a REFERENCE. It WILL NOT LOOK like what goes out to broadcast and what people see in their homes, bars and at BEST BUY. The goal with monitors is to get as true a color as possible because people's sets will be tuned all over the place on either side of the way your reference monitor is set up.

Just my take. I use a high-end LCD reference monitor myself (eCinema) and have only seen OLEDs at NAB and at Editor's Lounge. They are gorgeous.

Steve Hullfish
contributor: www.provideocoalition.com
author: "The Art and Technique of Digital Color Correction"
co-author: "Color Correction for Video: revised edition," "Avid Xpress Pro Editing Workshop" and "Avid XpressDV On the Spot"

On May 14, 2012, at 7:56 PM, Tom McDonnell wrote:

> >#1- It's the blacks!
>
> Terry does the differences between LCD vs. OLED blacks transfer to a
> variation on the final correction done on both types of monitors? In other
> words does the black level portion of a color correction session depending
> on the monitor used translate to the finished broadcast or projected image?
>
> I guess what I'm asking is does a CC session "black level wise" done on an
> OLED look any better or different than one done on a LCD? Once again try to
> leave out the colorimetry portion of the differences between manufacturers.
> Do you find you have an easier time achieving your desired result?
>
> Tom McDonnell
> Cinematographer/Operator
> Los Angeles, CA
> New Orleans, LA
> 818-675-1501
>
>



[Non-text portions of this message have been removed]



------------------------------------

Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
Yahoo! Groups Links

<*> To visit your group on the web, go to:
http://groups.yahoo.com/group/Avid-L2/

<*> Your email settings:
Individual Email | Traditional

<*> To change settings online go to:
http://groups.yahoo.com/group/Avid-L2/join
(Yahoo! ID required)

<*> To change settings via email:
Avid-L2-digest@yahoogroups.com
Avid-L2-fullfeatured@yahoogroups.com

<*> To unsubscribe from this group, send an email to:
Avid-L2-unsubscribe@yahoogroups.com

<*> Your use of Yahoo! Groups is subject to:
http://docs.yahoo.com/info/terms/