Oliver -
a little OT (although I think workflow is an important issue to overall speed and MC's effect handling slows the process down significantly, but...), but how are you figuring what to charge? Do you have a day rate or does the facility state what it can pay per job? Interested because I mostly still bill on an hourly rate. Only when it's a "budget-challenged" gig do we move over to a flat rate, knowing that we can make it up on the next gig.
Scott
--- In Avid-L2@yahoogroups.com, "oliverpetersvidy" <oliverpeters@...> wrote:
>
> > James Culbertson wrote:
> > but if you choose your workflow / clip
> > modifications intelligently, ...
> > I mean there is no reason to add MB Denoiser
> > (as one example) till the bitter end is there?
>
> Absolutely. Clients like to see how things will look. Remember, we work in a nonlinear process. Sometimes you have to apply effects and color correction in the middle and then make changes as a result of what you see. I work a lot with ALEXA Log-C footage and have done this with both "baked" low-res dailies as well as camera files with real-time LUTs (Pomfort, Nick Shaw) filters applied.
>
> > that's just extra bank (you do charge such
> > producers hourly don't you?).
>
> I'm a freelancer. Many of the shops I work at do not charge hourly anymore on projects.
>
> - Oliver
>
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