Confirms my thought that Apple should have left Multicam to Avid....it's a niche feature and already works very well in Avid. Why try to re-invent it in FCPX?
--- In Avid-L2@yahoogroups.com, "oliverpetersvidy" <oliverpeters@...> wrote:
>
> Here's your answer about audio track flaws in the current FCP X multicam mode.
>
> Scenario - 2 cameras with on-board audio + synced 4-channel broadcast wave audio recorder. Create multicam clip synced by TC and assign audio angle as the audio track. Only the wave files are the real audio (4 different mics). Edit the multicam clip to a new project (timeline). Cut cameras (video only) in the sequence. Unfortunately there is no way to access the individual audio tracks in the edited timeline. Cannot break apart and the Inspector ID's audio as "unsupported clip".
>
> - Oliver
>
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