The reason I am working in true 24P is that I work on a lot of animated
shows- and some live action shot 24 and 25P HD Cam, and output in many
formats, 1080/24P, NTSC, PAL, 1080i/50, and a current client needs
1080i/59.94. Symphony claims on the tin it can output 24P to 1080i/59.94,
but what I get on tape does not match an NTSC time base. For example - a
shot that should begin at 1;11;40;20 in will occur at 1;11;40;00.
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