Not everyone was Sony. Fortunately for me I had GVG 141 with an off brand switcher up at Cross Country and Biatholon. Heck we had to beg to even get a D2 machine so I could have 4 channels of audio. We started editing to BetaSp which made for a fun time mixing. I only saw the broadcast center on the way in and the way out.
--- In Avid-L2@yahoogroups.com, "trevatpc" <trevatpc@...> wrote:
>
> That was the Olympics where we edited on the Sony 9100 for the first time... and skied every day. And Sony is still the linear editor of choice for London (but somewhat dwarfed by number of MC systems that'll be there...).
>
> --- In Avid-L2@yahoogroups.com, "Tony Breuer" <tonybreuer@> wrote:
> >
> > I had just finished a series of film originated segments for a production company to air on the CBS Sports coverage the 92 winter Olympics on the EMC. After I finished that gig, I took an Avid course in NYC (MC version 4.?} and went back to the EMC dealers and told them I thought Avid was serious competition because Avid had a an easier interface (which was only on the MAC at that point).
> >
> > The reply: "They will never be a serious competitor because EMC is PC and PC is business like. Apple makes toys and editing is serious business."
> >
> > Tony Breuer
> >
> >
> >
> > --- In Avid-L2@yahoogroups.com, "haus" <switthaus@> wrote:
> > >
> > > Hell, I think I was still cutting on an EMC then and peeking around at this new Avid-thingy...."what do you mean it creates an EDL for you and you can't futz with it in the program, like EMC...."
> > >
> >
>
No comments:
Post a Comment